STUDIO MUSEUM IN HARLEM
It's 1974. "Kung Fu Fighting" is number one on the charts, the TV show Kung Fu airs every Thursday on ABC, and Bruce Lee (who died the previous year) is a box-office draw. As a non-white hero battling The Man, Lee's popularity extended to African Americans as well as Asian audiences. For a generation of artists, the kung fu phenomenon of the '70s left an indelible impression: "I was struck by …
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